Dr Bihani Sarkar FHEA

Senior Lecturer in Comparative Non-Western Thought

Profile

I am a historian of early Indian politics, religions and literature (poetry and drama) between the 2nd and the 15th centuries CE. I work mainly with classical Sanskrit and some Middle Indic (Prakrit) sources. I also draw generously from Bengali, my mother tongue. I have taught and have research interests across Indian philosophy and religions, including Hinduism, Buddhism, and South Asian Islam. My current research and teaching interests include the Goddess in Indian religion; Sanskrit poetry and drama; classical Indian aesthetics; North Indian classical music; comparative literary theory; gender, transgression and power in early Indian literature and religions; sacred narrative and history; madness, knowledge and kingship.

My publications span the history of the ?ākta (goddess-centric) traditions, their metaphysics, their relationship to power, their role in the growth of the state and kingship and, most recently, on ?ākta epigraphy. I have also published on histories of classical Indian literary genres, aesthetics, and emotions.

My first book Heroic Shāktism: the cult of Durgā in ancient Indian kingship (OUP 2017) delved into the history of the cult of the Great Goddess just after the end of the Gupta empire, and its interaction with local cults and the constitution of early kingdoms, using scriptural, liturgical, mythological, literary and epigraphical sources (see here: https://global.oup.com/academic/product/heroic-shktism-9780197266106?cc=gb&lang=en&).

My second book Classical Sanskrit Tragedy published in 2021 (see here: ) is a response to ideas of tragedy. Through a close literary analysis of the tragic middle in five of the celebrated poet Kālidāsa’s works, the book demonstrates the importance of tragic identity for classical Indian poetry and drama in the early centuries of the common era. These depictions from the Indian literary sphere, by their particular function and interest in the phenomenology of grief, challenge and reshape in a wholly new way our received understanding of tragedy.

I am working on my third book which reinterprets several heroines from across classical Sanskrit poetry as bold and enterprising models of courage, arguing for an alternative reading of subjectivity.

Between 2022 and 2024, I put in two large research applications, the AHRC Research Engagement and Development fellowship for ?99,440 and a Leverhulme Research Fellowship for ?64,995, and have prepared and convened 6 new undergraduate and masters modules.


01/10/2023 → 31/05/2025
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01/10/2020 → …
Research


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Prize (including medals and awards)


Election to learned society


Prize (including medals and awards)

  • Ethics Values and Policy Initiative